“Thanks, so do you. Here the ribs of a thousand pounds beating against the Needles— those dangerous rocks, credulity here floated, to and fro, silks, stuffs, camlets, and velvet, without giving place to each other, according to their dignity; here rolled so many pipes of canary, whose bungholes lying open, were so damaged that the merchant may go hoop for his money," A less picturesque, but more truthful, and, therefore, more melancholy description of the same scene, is furnished by the shrewd and satirical Ned Ward, who informs us, in the "Delectable History of Whittington's College," that "When the prisoners are disposed to recreate themselves with walking, they go up into a spacious room, called the Stone Hall; where, when you see them taking a turn together, it would puzzle one to know which is the gentleman, which the mechanic, and which the beggar, for they are all suited in the same garb of squalid poverty, making a spectacle of more pity than executions; only to be out at the elbows is in fashion here, and a great indecorum not to be threadbare. “I am getting plain,” she said, with a little shudder. It is enough to make a man throw away canvas and brushes into the bottomless precipices, enough to make one weep with despair at his utter and absolute impotence. Her acrid rose perfume oil that hung in the air that smelled like a head shop, her V. Ruth's gaze wandered from the printed page. The girl was like some north-country woodland pool, penetrated by a single shaft of sunlight—beautifully clear in one spot and mysteriously obscured elsewhere.
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