Here the ribs of a thousand pounds beating against the Needles— those dangerous rocks, credulity here floated, to and fro, silks, stuffs, camlets, and velvet, without giving place to each other, according to their dignity; here rolled so many pipes of canary, whose bungholes lying open, were so damaged that the merchant may go hoop for his money," A less picturesque, but more truthful, and, therefore, more melancholy description of the same scene, is furnished by the shrewd and satirical Ned Ward, who informs us, in the "Delectable History of Whittington's College," that "When the prisoners are disposed to recreate themselves with walking, they go up into a spacious room, called the Stone Hall; where, when you see them taking a turn together, it would puzzle one to know which is the gentleman, which the mechanic, and which the beggar, for they are all suited in the same garb of squalid poverty, making a spectacle of more pity than executions; only to be out at the elbows is in fashion here, and a great indecorum not to be threadbare. Knock on the partition if you want anything during the might. It isn't your duty. He then mounted the jaded hack, which had long since regained its legs, and was quietly browsing the grass at the road-side, and, striking spurs into its side, rode off. She looked up quickly. Oh, you cannot escape from it. Ann Veronica’s universe, which had never been altogether so respectful to her as she could have wished, gave a shout and whirled head over heels. "No prize shall indushe me to enter dat horrid plashe again. To surrender himself to the law, to face trial and imprisonment, was out of the question. “And think, think”—her voice sank —“of the horrible coarseness!” “What coarseness?” said Ann Veronica. His job as a painter was wearing him down acutely as he aged.
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