“If they matter to you, they matter. She saw herself begin a slow, sinuous dance: and stop suddenly in the middle of a figure, conscious that the dance was not impromptu, her own, but native—the same dance she had quitted but a few minutes gone. Now, more and more, we’re going to be interested in them, to be curious about them and—quite mildly-experimental with them. She had, by the magic of recollection, set the picture of the typhoon between herself and her table companions: the terrible rollers thundering on the white shore, the deafening bellow of the wind, the bending and snapping palms, the thatches of the native huts scattering inland, the blur of sand dust, and those two outcasts defying the elements. She got up and unlocked the door. Then he released her hand, and sat back a little, appearing to concentrate his thoughts on her face. Why don’t you go in? Charvill is there.
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