” They stared at each other through a pause, and both faces were flushed and obstinate. E. Sheppard, "and am most grateful for your offer. This lifeless appearance was heightened by the extreme sharpness of her features—especially the nose and chin,—and by the emaciation of her limbs, which was painfully distinct through her drapery. Immediately he grasped the fact that there was drama here, probably the old drama of the fugitive. . For the rest, she derived her ideas of the married state from the observed behavior of married women, which impressed her in Morningside Park as being tied and dull and inelastic in comparison with the life of the young, and from a remarkably various reading among books.
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