On the north stood the battlements of one of the towers of the gate. All through the love music of the second act, until the hunting horns of Mark break in upon the dream, Ann Veronica’s consciousness was flooded with the perception of a man close beside her, preparing some new thing to say to her, preparing, perhaps, to touch her, stretching hungry invisible tentacles about her. Over the mantel, set into an ornately carved panel with fluted columns at each end, was a portrait of a man on horseback. Afterward her brother Roddy, also strange in velveteen, feeling rather than knowing of this relationship, punched this Adonis’s head.
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